
The long, rich, and diverse practice of rhetorical criticism is underwritten by certain abiding principles of interpretation. This seminar is predicated on the assumption that all critics, whatever their particular preoccupations, will need to engage and put these principles to work in interepretive practice. Among them: questions of effect; the play of text and context, issues of genre, audience, and style; the visual, the aural, and the ambient; and identity, ideology, and resistance.
CAS 503 aims to: